Kurtis blow basketball video remix
You don’t want them to feel bad or be angry, you want them to be happy and that’s when they’ll come back to get more. He explained the job of an entertainer is to entertain. If you’re smiling, you’re projecting happiness and that’s gonna make people feel good inside when they leave. Of course, he gave me good pointers as far as eye contact and focusing on one person in the crowd, then move across to the next one with eye contact in the audience and smile and be happy. Dealing with people after the show was always a problem. How about Rocky urging you to become a better performer? Inside Robert Ford Jr.'s Crucial Reporting on Rap & Disco In the '70s So you’ll hear the clavinet under the piano and Denzel Miller played the same kind of solo and it matched perfectly. So we were going back-and-forth and we decided to use both of them. I wanted the piano, but Rocky wanted the clavinet. Rocky loves Denzel Miller doing a solo with a synthesizer, which is an electronic instrument and the sound was called a clavinet. Denzel comes in the studio - he’s one of the guys that helped me build my sound - we already cut the song and we’re at the part creating the solo. I had developed a love for the piano, which is my favorite instrument. Rocky and I were at odds in the studio over this song. passing away in May, can you speak to your friendship with Rocky and him writing a portion of “The Breaks,” as well as being like a father figure to you? I’m 21, and I just made it into manhood and here I have the No. I thought I hit the big time and had a hit record.
I was 21-years-old and the record actually peaked at No. Were the charts something you were focused on?
“The Breaks” was one of the first rap songs to make the Hot 100. It was one of the first songs to have a hook that was a repetitive chorus and once you heard it, you were hearing it throughout the day. It was the second certified 12-inch in the history of music. The record was the first certified-gold record in hip-hop. I was in the right place at the right time and available for all of the promotion and press for the documentation of this birth of the culture.
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It was a series of miracles and blessings from God. Kurtis Blow: I remember it being like a dream world. What do you remember most from that time in your life? With your boombox turned all the way up, dive into our nostalgic interview with Kurtis Blow, where he reminisces on 40 years of “The Breaks,” his friendship with Robert Ford Jr., why Michael Jordan stopped talking to him on the quest to his first NBA title, and more.īillboard: “The Breaks” is turning 40-years-old this weekend. “I remember having many conversations with him, either on a plane or riding in a car somewhere or waiting backstage. “He traveled with me for the first year or so, doing shows, live performances,” Blow told Billboard earlier in June. The hip-hop pioneer played an integral role in Blow’s rise to stardom, as Kurtis looked at him as a father figure, who helped him shed his shy tendencies and turn into a more evocative performer on stage. One person in the studio that helped write and produce the salient “The Breaks” was the late Robert “Rocky” Ford Jr., who passed away at age 70 in May. Robert Ford Jr., Hip-Hop Pioneer & Former Billboard Journalist, Dies at 70